|
With Nintendo's April 2 Direct showcase over and done, we now know more about the Switch 2 than ever before, including its release date (June 5) and price ($450!).
Thanks to Nintendo's January 16 teaser trailer, we've long known what the Switch 2 will look like, and that it will arrive in 2025 — over eight years after its predecessor. The Nintendo Switch 2 looks very similar to the original system, albeit with a larger display, magnetic Joy-Cons and a sleeker design. The company also reaffirmed that the upcoming console will be backwards compatible with Switch games.
Looking to catch up on everything we know about the Switch 2? Read on.
What are the key new features of the Nintendo Switch 2?
Display and dock
The Nintendo Switch 2 has a 1080p 7.9-inch display with a 120Hz refresh and HDR compatibility. It also supports up to 4K output at 120Hz (with variable refresh rates) when docked.
Joy-Con and Pro Controller
The new Joy-Con for Nintendo Switch 2 attaches magnetically with a button to release them. They have larger
|
|
If you ever needed a definitive example of how money doesn't necessarily buy you success or taste, take a look at Amazon's studio arm. The mega-retailer's production division, now known as Amazon-MGM, has been making movies for more than a decade. Very few of the entries in its lineup have been world-beaters, but that hasn't deterred the outfit from persisting. The New York Times is today reporting that under its new head, Courtney Valenti, Amazon's movie division has plans to own the in-person cinema experience.
Amazon is apparently gearing up to release "up to 14 big, broad commercial films a year to theaters nationwide and around the world." Each film would spend 45 days in the theaters before heading to pay-per-view and then to Prime Video at some point after. The move comes in the face of shrinking box office receipts and fewer people heading to the cinema in general. Not to mention it's also planning to produce an equal number of films that'll go direct to Prime, which seems counter-intuitive given the desire to push people toward theaters.
That doesn't recognize the shift in viewing habits, especially among younger people, who'd much rather sit and watch YouTube for hours at a time. Or that the box office took a hit because of COVID-19 that it never really bounced back from. Or that a lot of people would rather wait for a film to become available "for free" on a service they already pay for.
It also doesn't ta
|
|
