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New York Times MoviesMay 14, 2026
Koji Suzuki, Whose Horror Novels Inspired ‘Ring' Movies, Dies at 68
Sometimes called the Stephen King of Japan, he helped create a genre known as J-horror and spawned one of the highest-grossing horror films ever made.

New York Times BooksMay 14, 2026
Books Our Editors Loved This Week
Reading recommendations from critics and editors at The New York Times.

Rolling Stone Movie NewsMay 14, 2026
Paul McCartney on New Song ‘Salesman Saint,' How Wartime Resilience Shaped the Beatles
The legendary musician previewed his new single from his latest solo album, The Boys of Dungeon Lane, out May 29

VultureMay 14, 2026
The World Cup Halftime Show Is Filled With Superstars
Madonna, Shakira, and BTS are all performing.

RELATED ARTICLES
Madonna, Shakira & BTS to headline World Cup half-time show (BBC Entertainment & Arts)
Shakira, Madonna, and BTS to Headline World Cup Final Halftime Show (Rolling Stone Movie News)

Playbill NewsMay 14, 2026
John Lithgow to Receive John Willis Award for Lifetime Achievement in the Theatre
The Giant star will be honored at the 80th Annual Theatre World Awards June 2.



NYTimes ArtsMay 14, 2026
‘Is God Is' Review: The Fires This Time
Kara Young and Mallori Johnson play twins bent on revenge in the playwright Aleshea Harris's powerhouse film debut.

NYTimes ArtsMay 13, 2026
Mel Brooks Donates His Archives to the National Comedy Center
The comedian is contributing some 20,000 documents and photos covering his career, including his time in the Army and the lyrics for "Springtime for Hitler."

AV Club FilmsJul 12, 2024
God help us, Emerald Fennell is doing Wuthering Heights next
It was probably inevitable, but the phrase "Emerald Fennell is doing Wuthering Heights"still sends a real chill down the spine. Unfortunately for anyone who cares about classic literature, basic story structure, or avoiding watching Oscar-nominated actors slurp up bathtub cum on screen, the director of the divisiveSa…

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DVD ReviewsFeb 11, 2019
Death House




It's nice to be one of the few people who has seen an under-the-radar, low-budget, throw-cares-to-the-wind horror flick, because there's a sense of community that comes with watching something that precarious, that delicately connected and held together. It might be strange to think of horror as being fragile, with the monsters and the decapitations and the blood and whatnot. But that's exactly what the genre is, a delicate balance between production, money, fandom, and expression, with the resulting final product usually something that almost no one sees. I try to keep that in mind when I watch b-horror, the time and energy and work that g...Read the entire review




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