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Sometimes called the Stephen King of Japan, he helped create a genre known as J-horror and spawned one of the highest-grossing horror films ever made.
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This surreal satire blends anthropomorphic charm with existential dread to critique capitalism, though its meta-commentary leaves some haunting questions frustratingly unanswered.
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The Love Boat (Season Four, Volumes 1 & 2), from the 1980-81 season, chugs right along with its parade of obvious but likeable romantic melodrama and low-brow comedy, its romanticized notions of cruise ship vacations, occasional exotic location shooting and, most importantly, its parade of guest stars: hot and cold TV talent, has-beens, barely-beens, famous-because-they're-famous types, nostalgic TV faces from the past, sports personalities, and sometimes even major old-time movie stars. Though probably few would admit it now, back in the late 1970s pretty much everyone not on a date or otherwise engaged on Saturday night tuned in to ABC's one-two punch of The Love Boat at 9:00 and Fantasy Island at 10:00pm. Though often unpardonably corny and melodramatic, The Love Boat was also daringly innovative from a production standpoint, and so tantalizingly glamorized and exo...Read the entire review
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